Analysis of "Mrugtrushna - The Other Side" Film

 Introduction:

Semiotics, the study of signs and symbols and their meanings, provides a powerful lens to interpret and understand the complexities of film storytelling. "The Other Side" is a thought-provoking film that weaves various motifs and themes to convey more profound messages about the unknown, imagination, reality, modernity, and belief systems. This essay explores the semiotic elements in the film, analyzing the significance of each symbol and sign and how they contribute to the overall narrative.

The Other Side: Symbolizing the Unknown

In the film, "The Other Side" refers to a mysterious place where characters warn against going, emphasizing the idea of uncharted territory. Symbolically, it represents the realm of the unknown, a space forbidden to explore and where those who dare venture may not return. The term "devil" is associated with it, signifying the perceived dangers and malevolence of the unfamiliar.

From a semiotic perspective, "The Other Side" is a multifaceted sign. It embodies curiosity and the childlike mind, constantly yearning to explore and fantasize about what lies beyond. The notion of not letting children go to the other side symbolizes preserving innocence and the desire to keep them dreaming. This symbol becomes a powerful expression of the tension between the allure of the unknown and the need to shield oneself from harsh realities.

Crossing the River: A Journey to Fantasy

In Hindu philosophy, crossing the Vaitarani River is a pivotal step in one's journey to heaven or hell, determined by their deeds (karma). In the film, the river motif is metaphorical, representing the children's fantasy of reaching a heavenly-like world on the other side. The river symbolizes transition, where good karma can secure a place in a dreamlike realm.

Semiotically, the river serves as a sign of transformation and aspiration. It encapsulates the children's yearning for something beyond their current reality, a place where dreams come true. The desire to cross the river reflects their longing for a better, more fantastical existence, guided by their sense of adventure and innocence.

The Magical Coin: Willpower and Inheritance

The Magical Coin is a powerful symbol in the film, representing the ability to fulfill one's wishes. As the boatman passes on the magical powers (willpower) to Tejas, the coin also becomes a sign of inheritance. Through this transfer of power, the legacy of storytelling and creative abilities is conveyed. As the new bearer of the Magical Coin, Tejas becomes the torchbearer of the boatman's storytelling legacy.

Semiotically, the Magical Coin becomes a signifier of empowerment and the manifestation of desires. It signifies the passing down of wisdom, storytelling prowess, and creativity from generation to generation. As a sign, the coin bridges the gap between the boatman's illusionary world and Tejas' reality, becoming a tangible representation of the fantastical and imaginative.

Pebbles: Impulse and Continuity

Tejas' act of throwing the Magical Coin into the river and finding pebbles instead carries significant semiotic meaning. The pebbles symbolize his authored books and the Illusion trilogy films, including the zero film. As a representation of his creative output, these pebbles signify continuity and the legacy of storytelling.

Semiotically, the pebbles become a sign of impulsive actions and their repercussions. Tejas' immediate regret for throwing away the Magical Coin signifies the volatility of emotions and decisions. The loss of the coin also becomes a poignant sign of sacrifice and the recognition that some wishes can't be undone.

The Mad Uncle: Challenging Notions of Wisdom

The character of Gagan's mentally challenged uncle challenges conventional notions of wisdom and understanding. In the film, Gagan's father does not care for the uncle properly, but the boatman highlights a contrasting perspective. According to the boatman, mentally challenged individuals connect with the supreme self and nature more profoundly than the average person.

Semiotically, the mad uncle becomes a sign that questions societal norms and perceptions. He challenges the idea that wisdom is solely derived from intellectual capabilities. Instead, the uncle represents a deeper connection to the natural world, symbolizing a different kind of knowledge and understanding.

White Flags: Hope and Faith

The white flags tied by Tejas' mother symbolize hope and faith in her husband's return. The mother's unwavering belief is represented by tying the white cloth on a stick, indicating her expectation of his homecoming.

Semiotically, the white flags become a sign of optimism and resilience. They signify the power of hope and the human capacity to believe in something beyond the tangible. The mother's repeated action of tying more flags reinforces her enduring faith, making the flags a symbol of emotional perseverance.

Boatman: Bridging Fantasy and Reality

The character of the boatman acts as a significant semiotic sign in the film. The boatman is the medium that helps the children realize their dreams and desires. He embodies illusion and fantasy, appearing and disappearing as needed, linking the world of dreams to reality.

Semiotically, the boatman is a signifier of the blurred boundary between reality and imagination. His presence in the crematorium and vanishing act after fulfilling his role signify the transient nature of dreams and the enigmatic quality of fantasy. The boatman becomes a symbol of the imaginative realm, reminding the audience of the power of storytelling and the connection between dreams and the waking world.

Butterflies: Dreams and Fantasies

The butterflies in the film are depicted as colorful and enchanting creatures. They symbolize the dreams and fantasies of children, reflecting the wonder and magic of their imaginations.

Semiotically, butterflies signify children's dreams and the flight of their fantasies. The fleeting and beautiful nature of butterflies mirrors the ephemeral quality of childhood dreams and the transient state of the imaginative mind.

The Brother-in-law: Embracing Modernity and Imagination

The brother-in-law from the modern world encourages the children to venture to the other side, endorsing the exploration of newer experiences and fantasies.

Semiotically, the brother-in-law represents the influence of modernity and the acceptance of imagination as a valuable aspect of human life. He becomes a signifier of progressive thinking, advocating for integrating dreams and adventure into contemporary lifestyles.

Blind-Faith and Untouchability: Challenging Belief Systems

The film touches upon the theme of blind faith through the depiction of the witch doctor and the contrasting scientific approach of the school teacher. The children's innocence and disbelief in such superstitions challenge traditional beliefs.

Semiotically, blind faith and untouchability signify the clash between ancient customs and evolving perspectives. The film raises questions about the role of belief systems in shaping individual and societal behaviors, urging viewers to critically examine their own cultural practices.

Conclusion:

"The Other Side" weaves a rich tapestry of symbols and signs, each conveying its unique meaning and contributing to the film's overall narrative. From the mysterious and forbidden Other Side to the magical coin representing willpower and storytelling legacy, each semiotic element enriches the film's exploration of imagination, belief systems, and the convergence of fantasy and reality. Through the lens of semiotics, the film challenges conventional notions, blurs boundaries, and invites viewers to reflect on the power of symbols in shaping human experiences and understanding.

Dr. Darshan Ashwin Trivedi 

Filmmaker, Educator, Researcher

Writer-Director: Mrugtrushna